In 1991, Spielberg was asked to provide an image from one of his films that typified his visual style. Spielberg chose the shot in Close Encounters where little Barry stands in the doorway between his home and that “beautiful but awful” outer light.
essays on popular cinema
In 1991, Spielberg was asked to provide an image from one of his films that typified his visual style. Spielberg chose the shot in Close Encounters where little Barry stands in the doorway between his home and that “beautiful but awful” outer light.